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Comtessa de dia biography of martin

          While the Comtessa's biography lacks verifiable details, we can concretely consider her poetry and music....

          The countess of Dia was the wife of En Guillem de Poitiers, a lady beautiful and good.

          Comtessa de Dia

          French artist (fl. c. 1175 or c. 1212)

          Musical artist

          The Comtessa de Dia (Countess of Die),[1] possibly named Beatritz or Isoarda (fl.

          c.

          Beatritz or Beatriz de Dia (born c.

        1. One of these was Comtessa Beatriz de Dia. She was a troubadour—or rather a trobairitz which is the name for a female troubadour.
        2. While the Comtessa's biography lacks verifiable details, we can concretely consider her poetry and music.
        3. Martín Codax (or Martim Codax) was a Galician medieval jogral (non-noble composer and performer – as opposed to a trobador), possibly from Vigo, Galicia in.
        4. The fact that a twelfth-century poetess known as the Comtessa de Dia had existed and had created poetry was a spur to imaginative constructions.
        5. 1175 or c. 1212), was a trobairitz (female troubadour).

          She is only known as the comtessa de Dia in contemporary documents, but was most likely the daughter of Count Isoard II of Diá (a town northeast of Montelimar now known as Die in southern France).

          According to her vida, she was married to William of Poitiers, but was in love with and sang about Raimbaut of Orange (1146-1173).[2] Bruckner, Shepard, and White cite Angela Rieger's analysis of the songs, which associates them, through intertextual evidence, with the circle of poets composed of Raimbaut d'Aurenga, Bernart de Ventadorn, and Azalais de Porcairagues.[2] Marcelle Thiébaux, and Claude Marks have associated her not with Raimbaut d'Aurenga but with his nephew or great nephew of the same name.[3][4] If her